AEA R44C Classic Ribbon Microphone

AEA R44C Classic Ribbon Microphone


$3704.99 Buy It Now or Best Offer
free,30-Day Returns





Seller Store proaudiostar
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Location: Winchester, Virginia
Ships to: US,
Item: 405163801178

Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Return policy details:
AEA:AEA
Form Factor:Dynamic Microphone
MPN:R44C
UPC:652401977513

DJ GEAR INSTRUMENT GEAR LIVE SOUND RECORDING MICROPHONES HEADPHONES ACCESSORIES SOFTWARE LIGHTING BUNDLES Authorized Dealer – Full Warranty AEA R44C Classic Ribbon Microphone Passive Ribbon Microphone – Brand New – Description R44 Series The AEA R44C is an exact replica of the vintage RCA 44BX ribbon microphone, considered the most musical sounding microphone ever built. Many of the 20th century’s most iconic recordings were recorded by the R44. The First Great Microphone for Music Whether it was the smooth brass section of the soundtrack of a classic Hollywood film, the velvety lushness of a jazz vocal or the larger-than-life drum sound of a classic rock recording, chances are an RCA 44-series ribbon microphone was used in the studio when the sound was created. In use for more than 80 years in recording and broadcast studios throughout the world, the RCA 44 ribbon design is as rich in history as it is in sound and character. This instantly recognizable sound produces thunderous lows due to the strong proximity effect, full and rich midrange and a unique top end taking the edge off of harsh instruments. In 1976, AEA decided to begin servicing the thousands of existing RCA ribbon mics in the world. By 1998, AEA had acquired 100 percent of the interchangeable parts used within the original RCA 44. That same year we debuted our R44 reissue — called the AEA R44C — using RCA’s original methods and techniques. The Legendary Big Ribbon Sound The AEA R44 maintains an iconic legacy of great ribbon mics by delivering a rich sound full of character and color. Effective on a broad range of instruments and rooms, the R44 bolsters mids and lows while smoothing harsh high frequencies to produce a multi-dimensional sound unlike that of any microphone the world over. Used on everything from crooning vocalists to full orchestras, the R44 is the ideal choice to capture the tone of any voice or instrument while imparting its legendary ribbon character. Different Outsides, the Same Sound Our R44 Series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. The R44 series microphones are all detailed, hand-crafted replicas, using parts that are made to be interchangeable with an original RCA 44. We manufacture three different versions of the R44 and an optional hotrod. At the core, every version of the R44 sounds the same when powered with a ribbon preamp. The major differences between the versions are the exterior look and the amount of output level. The R44 Variants The passive R44 is available in two exteriors– the original museum-quality replica R44C and the aesthetically cost-effective R44CE. Both mics have an identical sound and are exactly the same on the inside. The difference between the two is only cosmetics and price. The active A440 is a preamp-flexible R44 with 18dB of extra output. It is custom-painted with the RCA classic umber-colored transformer case. High-Output Upgrades The original R44 microphones were constantly updated during their twenty years of production, and after carefully looking at some of the technical modifications, we’ve created two upgrades to the original R44. The active A440 is an ultra-premium version of the R44C. It is complete with a custom Lehle transformer, RPQ JFET preamp electronics and the “X” motor hotrod and is the quietest ribbon microphone ever manufactured. It retains the same sonic character of the passive R44C, but with an additional 18dB of output and greater flexibility with different preamps. Many engineers favor their A440s over their vintage RCA 44s due to the advantages in noise performance. We developed a modified R44 transducer, called the X-Motor, that includes two additional magnets that provide an extra 6db of output. With a sound identical to the original 44, the X-Motor ‘hot rod’ mod is useful for scoring and classical sessions and other applications demanding a wide dynamic range with the classic 44 sound. Available as an upgrade in R44C and CE models, the X-Motor version of the R44 bears a red-badge on the outside instead of the standard black badge. Yes, There’s A Matching Preamp The preamp is critical for optimum performance for our passive R44 models. Preamp gain should be at least +60dB or higher and it should have a very high impedance. It’s the same requirement with all passive ribbon mics. To guarantee consistent, full-range ribbon sound, we recommend AEA’s RPQ3, RPQ500, TRP500 and TRP3 preamps, which were specially designed for ribbon microphones. However, preamps with above a 5K ohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. On quiet sound sources or for distance recording, an AEA preamp is highly recommended. Features/Specs R44 Series Microphone Overview Unparalleled warmth and legendary character Full and rich tonality with generous low end and proximity effect Faithful reproduction of the RCA R44BX. Ribbon material meets or exceeds original RCA spec. Economy exterior R44CE exhibits same, classic sound Active A440 upgrade has 18dB level increase and is optimized for all preamps Operating Principle : Pressure gradient transducer Directional Pattern : Bidirectional Frequency Range : <20 Hz to >20 kHz Polarity : Pin 2 high for positive pressure on front of microphone Polar Response : Native bidirectional, figure-of-8 pattern Horizontal : Up to 90 dB rejection at right angles to the front/back axis. Vertical : Level changes with angle of incidence, but frequency response is consistent. Transducer Element Material: Thickness : 1.8 µm Width : 0.185 in (4.7 mm) Length : 2.35 in (59.7 mm) Microphone Dimensions: Height : 12.25 in (31.1 cm) Width : 4.62 in (11.7 cm) Depth : 3.25 in (8.3 cm) Connector : XLR-3M R44C/CE Passive Microphones Maximum SPL : 165+ dB SPL (1% third harmonic > 1 kHz) Sensitivity : 2.25 mV/Pa (-53 dBV) into unloaded circuit Output Impedance : 270 Ω Broadband Recommended Load Impedance : 1.2 KΩ or greater Phantom Power : Not required or recommended A440 Phantom-Powered Microphone Maximum SPL : 136+ dB SPL (1% third harmonic > 1 kHz) Sensitivity : 30 mV/Pa (-33.5 dBV) into unloaded circuit Output Impedance : 92 Ω Broadband Recommended Load Impedance : 1.0 k Ω or greater Phantom Power : P48 phantom power, 7 mA Accessories Included Vertical case, user manual, captive 10” (3 meter) output cable with XLR-3M We are authorized dealers for all these brands. Click a logo to see our listings. ProAudioStar is also not responsible for any taxes, local duties, or fees outside of the USA and those are not included in the sale price or ship charge. If an item is refused by the buyer, ship costs to and from the destination in which the item was shipped to are not refunded. Please note the cost of return shipping is usually double of what the original ship cost. Shipping is not free to HI, AK, and PR. FREE SHIPPING ONLY TO THE LOWER 48 STATES. We provide free shipping to the contiguous 48 United States, on most items. Shipping fees to ALL OTHER LOCATIONS will be calculated individually and added to customer invoices. ProAudioStar is also not responsible for any taxes, local duties, or fees outside of the USA and those are not included in the sale price or ship charge. In the event that the customer refuses a shipment, all shipping costs to and from the country or State in which the item was shipped to are not refunded. Please note, in some cases return shipping can cost as much as double the original ship cost. We operate a 30-day return period. Items must be returned with all original packaging as well as all included items. Items that are not returned in original, resalable condition are subject to a 15% restocking fee. We charge a 15% restocking fee on returned items only if the item is clearly used and or the packaging is tarnished. A 10% re-stock is more likely if the unit comes back in mint condition. The ship cost we paid to ship your item will be deducted as well. In some cases restock fees and ship costs can be applied as a store credit. We will exchange a defective unit for the same unit within the 30-day period. After that period, you will have to work directly with the manufacturer for warranty service. Items that can not be returned include: software, units with contents or packaging that is damaged/missing, and items that are considered for personal use (such as earphones, headphones, microphones, instrument mouthpieces, harmonicas or other items that you wouldn’t want to purchase if someone else had previously used them). Also, Items which we do not normally stock (i.e. “Special Orders”, discontinued products, close-outs, used products, etc.) are non-returnable. We strongly suggest that you check your order after receiving it to be sure that it is in proper working order. Please contact us for a Return Authorization before returning any items.

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