RME Babyface Pro FS 24-Channel 192kHz Audio Interface

RME Babyface Pro FS 24-Channel 192kHz Audio Interface
RME Babyface Pro FS 24-Channel 192kHz Audio Interface
RME Babyface Pro FS 24-Channel 192kHz Audio Interface
RME Babyface Pro FS 24-Channel 192kHz Audio Interface
RME Babyface Pro FS 24-Channel 192kHz Audio Interface
RME Babyface Pro FS 24-Channel 192kHz Audio Interface
RME Babyface Pro FS 24-Channel 192kHz Audio Interface
RME Babyface Pro FS 24-Channel 192kHz Audio Interface
RME Babyface Pro FS 24-Channel 192kHz Audio Interface


$999.0 Buy It Now or Best Offer
free,30-Day Returns





Seller Store downtownphoto
(33751) 99.4%,

Location: Long Island City, New York
Ships to: US,
Item: 165617689111

Return shipping will be paid by:Seller
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Return policy details:
MPN:BABYFACE PRO FS
Analog AD, Microphone/Line 1-2:Input: XLR,electronically balanced
Input impedance balanced: 2 kOhm,5.2 kOhm with PAD
Input impedance unbalanced: 1 kOhm,2.6 kOhm with PAD
Signal to Noise ratio (SNR): 113,7 dB RMS unweighted,117 dBA
Frequency response @ 44.1 kHz,-0.1 dB: 18 Hz – 20.8 kHz
Frequency response @ 96 kHz,-0.5 dB: 7 Hz – 45.8 kHz
Frequency response @ 192 kHz,-1 dB: 5 Hz – 88 kHz
With PAD active : -0.1 dB 8 Hz,-0.5 dB < 4 Hz,-1 dB < 3 Hz
THD: < -112 dB,< 0.00024 %
THD+N: < -108 dB,< 0.00035 %
THD @ 30 dB Gain: < -115 dB,< 0.00016 %
THD+N @ 30 dB Gain: < -100 dB,< 0.001 %
Channel separation: > 110 dB
Gain range: -11 d,Gain 0 dB: +8 dBu,PAD +19 dBu
Maximum input level XLR,Gain 65 dB: -57 dBu,PAD -46 dBu

AD, LINE/INSTRUMENT IN 3-4:Input: 6.3 mm TS jack,unbalanced
Input impedance: 1 MOhm
Signal to Noise ratio,120 dBA
Frequency response @ 44.1 kHz,-0.1 dB: 5 Hz – 20.8 kHz
Frequency response @ 96 kHz,-0.5 dB: < 3 Hz – 45.8 kHz
Frequency response @ 192 kHz,-1 dB: < 2 Hz – 92 kHz
Maximum input level @+4 dBu,Gain 0 dB: +13 dBu
Maximum input level @-10 dBV,Gain 9 dB: -5 dBu

DA, Line Out 1-2:Dynamic range (DR): 115 dB RMS unweighted,118 dBA
Frequency response @ 44.1 kHz,-0.5 dB: 0 Hz – 20.8 kHz
Frequency response @ 96 kHz,-0.5 dB: 0 Hz – 45 kHz
Frequency response @ 192 kHz,-1 dB: 0 Hz – 89 kHz
THD: – 106 dB,0.0005 %
THD+N: -102 dB,0.0008 %
Channel separation: > 110 dB
Output: XLR balanc,150 Ohm unbalanced
Output level @ 0 dBFS: Balanced +19 / +4,unbalanced +13 / +7 dBu
DC @ 0 dBFS: 6.35mm 4.8 V,3.5mm 2.4 V,XLR bal. 9.6 V

DA, PHONES 3/4, AS DA Line Out, but::Output: 6.3 mm TRS jack,unbalanced
Output impedance: 10 Ohm
Output level at 0 dB,1 kOhm load: +13 dBu
Max power @ 0.1% THD: 60 mW
Signal,118 dBA
Noise level: -101.8 dBu
Output: 3.5 mm TRS jack,unbalanced
Output impedance: 0.1 Ohm
Output level at 0 d,1 kOhm load: +7 dBu
Max power @ 0.1% THD: 90 mW
Signal t,117 dBA
Noise level: -107 dBu

MIDI:1 x MIDI I/O via breakout cable with 2 x 5-pin DIN jacks
Galv

DIGITAL:Clocks: Internal,ADAT In,SPDIF In
Jitter suppression of external clocks: > 50 dB (2.4,even at more than 100 ns jitter
Digital Bitclock PLL for tro

DIGITAL INPUTS, ADAT Optical:1 x TOSLINK
Standard: 8 channels 24 bit,up to 48 kHz
Double Speed (S/MUX): 4 channels 24 bit 96 kHz<

SPDIF optical:1 x optical,according to IEC 60958
Accepts Consumer and Professional for

DIGITAL OUTPUTS, ADAT optical:1 x TOSLINK
Standard: 8 channels 24 bit,up to 48 kHz
Double Speed (S/MUX): 4 channels 24 bit 96 kHz<

SPDIF optical – 2:1 x optical,according to IEC 60958
Format Consumer (SPDIF) according to

GENERAL Features:Power supply: USB bus power or external power supply
Idle pow,non condensing

Form Factor:Desktop
Features:Bus-Powered
RME:RME
Type:USB Audio Interface
BABYFACE-PRO-FS:BABYFACE-PRO-FS

eBay Listing Design by OCDesignsOnline Home View all listings About Us Feedback Faq Contact Us RME Babyface Pro FS 24-Channel 192kHz Audio Interface Description Item Includes Specifications Description Four years ago the Babyface Pro FS again demonstrated RME’s absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminum, this high-end portable interface incorporated newly designed analog and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion. The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used. The 3.5 mm TRS phones output power rises to 90 mW. THD of both phones outputs improved by up to 10 dB. and uses same output op-amps as ADI-2 Pro now. Finally the output impedance of 3.5 mm TRS was lowered from 2 Ohms to 0.1 Ohms. For the main I/O RME have designed a XLR socket, which integrates seamlessly into the housing and saves space. Two digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones. Babyface Pro’s incredibly efficient design almost never requires an external power supply – it’s perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones. The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro’s jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package. +19 / +4 dBu switch on the bottom adds a direct way to reduce the output level, thus improves SNR for sensitive active monitors, avoids distortion / overload, and helps to keep TotalMix FX faders near 0 dB instead of high attenuations. Full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity. 3.5 mm TRS phones output power rises from 70 mW to 90 mW. THD of both phones outputs improved by up to 10 dB. Uses same output op-amps as ADI-2 Pro now. Output impedance of 3.5 mm TRS lowered from 2 Ohms to 0.1 Ohms. Mic inputs SNR improved from 112.2 dB to 113.7 dB, TRS Line inputs SNR improved from 114 dB to 116.3 dB (120 dBA). THD Line inputs improved by 8 dB. 6 samples less latency on the AD side by new ADC (5 samples AD, 7 samples DA. It won’t get quicker…). All the above improvements were achieved without raising the units power consumption. K-slot for theft protection. Box Contains RME Babyface Pro FS 24-Channel 192kHz Bus-Powered USB Audio Interface Limited 2-Year Warranty Item Includes Box Contains RME Babyface Pro FS 24-Channel 192kHz Bus-Powered USB Audio Interface Limited 2-Year Warranty Specifications Analog AD, Microphone/Line 1-2Input: XLR, electronically balanced Input impedance balanced: 2 kOhm, 5.2 kOhm with PAD Input impedance unbalanced: 1 kOhm, 2.6 kOhm with PAD Signal to Noise ratio (SNR): 113,7 dB RMS unweighted, 117 dBA Frequency response @ 44.1 kHz, -0.1 dB: 18 Hz – 20.8 kHz Frequency response @ 96 kHz, -0.5 dB: 7 Hz – 45.8 kHz Frequency response @ 192 kHz, -1 dB: 5 Hz – 88 kHz With PAD active : -0.1 dB 8 Hz, -0.5 dB 110 dB Gain range: -11 dB up to +65 dB Maximum input level XLR, Gain 0 dB: +8 dBu, PAD +19 dBu Maximum input level XLR, Gain 65 dB: -57 dBu, PAD -46 dBu AD, LINE/INSTRUMENT IN 3-4Input: 6.3 mm TS jack, unbalanced Input impedance: 1 MOhm Signal to Noise ratio (SNR): 116 dB RMS unweighted, 120 dBA Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz Frequency response @ 96 kHz, -0.5 dB: DA, Line Out 1-2Dynamic range (DR): 115 dB RMS unweighted, 118 dBA Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz Frequency response @ 192 kHz, -1 dB: 0 Hz – 89 kHz THD: – 106 dB, 0.0005 % THD+N: -102 dB, 0.0008 % Channel separation: > 110 dB Output: XLR balanced Output impedance: 300 Ohm balanced, 150 Ohm unbalanced Output level @ 0 dBFS: Balanced +19 / +4 dBu, unbalanced +13 / +7 dBu DC @ 0 dBFS: 6.35mm 4.8 V, 3.5mm 2.4 V, XLR bal. 9.6 V DA, PHONES 3/4, AS DA Line Out, but:Output: 6.3 mm TRS jack, unbalanced Output impedance: 10 Ohm Output level at 0 dBFS, 1 kOhm load: +13 dBu Max power @ 0.1% THD: 60 mW Signal to Noise ratio (SNR): 114.8 dB RMS unweighted, 118 dBA Noise level: -101.8 dBu Output: 3.5 mm TRS jack, unbalanced Output impedance: 0.1 Ohm Output level at 0 dBFS, 1 kOhm load: +7 dBu Max power @ 0.1% THD: 90 mW Signal to Noise ratio (SNR): 114 dB RMS unweighted, 117 dBA Noise level: -107 dBu MIDI1 x MIDI I/O via breakout cable with 2 x 5-pin DIN jacks Galvanically isolated by optocoupled input Hi-speed mode: Jitter and response time typically below 1 ms Separate 128 byte FIFOs for input and output 25.3 DIGITALClocks: Internal, ADAT In, SPDIF In Jitter suppression of external clocks: > 50 dB (2.4 kHz) Effective clock jitter influence on AD and DA conversion: near zero PLL ensures zero dropout, even at more than 100 ns jitter Digital Bitclock PLL for trouble-free varispeed ADAT operation Supported sample rates: 28 kHz up to 200 kHz DIGITAL INPUTS, ADAT Optical1 x TOSLINK Standard: 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 4 channels 24 bit 96 kHz Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz Bitclock PLL ensures perfect synchronisation even in varispeed operation Lock Range: 31.5 kHz – 50 kHz Jitter suppression: > 50 dB (2.4 kHz) SPDIF optical1 x optical, according to IEC 60958 Accepts Consumer and Professional format Lock Range: 27 kHz – 200 kHz Jitter suppression: > 50 dB (2.4 kHz) DIGITAL OUTPUTS, ADAT optical1 x TOSLINK Standard: 8 channels 24 bit, up to 48 kHz Double Speed (S/MUX): 4 channels 24 bit 96 kHz Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz SPDIF optical – 21 x optical, according to IEC 60958 Format Consumer (SPDIF) according to IEC 60958 Sample rate 28 kHz up to 200 kHz GENERAL FeaturesPower supply: USB bus power or external power supply Idle power consumption: 2.8 Watts Typical power consumption: 3.7 Watts Max. power consumption: 5.4 Watts Current at 5 V bus power operation: 700 mA (3.7 Watts) Current at 12 V external power: 313 mA (3.7 Watts) Dimensions (WxHxD): 108 x 35 x 181 mm (4.25″ x 1.4″ x 7.1″) Weight: 680 g ( 1.5 lbs) Temperature range: +5° up to +50° Celsius (41° F up to 122°F) Relative humidity: Payment Policy PayPal is our only method of payment. Your PayPal account must be a Verified PayPal account. Selecting “Immediate Pay” is the way to go. If you select eCheck, it may take 2-8 days to clear PayPal. Please include a phone number as UPS and our Trucking Companies require it. We prefer to ship to a confirmed PayPal address and whether yes or no we may still contact you for additional verification. For shipments in NY&CA, we are required to collect the appropriate sales tax. Shipping Policy Most purchases are shipped within 24-48 Business Hours Items with “free shipping” are only shipped free to the 48 contiguous United States. We supply tracking information directly to your eBay account as well as via email within 24 hours after the shipment leaves our warehouse. Return Policy Downtown Photo is proud to offer a 30 day return or exchange policy on most items for a full money back refund, excluding any shipping charges (for items which we offer free shipping, our standard shipping charges will be deducted from any refund or credit) Returned or exchanged products must be in brand-new, mint condition. Items must be in the original, undamaged manufacturer’s packaging with all packaging materials, including instruction booklets, packing inserts, and the blank warranty cards. Memory cards and any other Blister Pack items are not returnable once opened. Any merchandise missing the original Universal Product Code (UPC) cannot be returned. The manufacturer’s labeled packaging must be enclosed within an additional shipping carton. Please do not place stickers or shipping labels on the original manufacturer’s package. Please be aware that we cannot accept returns on the following items unless they are shown to be defective in manufacture (as decided by the manufacturer): Underwater equipment (once taken underwater Inkjet printers (once ink cartridge/ribbon has been installed) Processing equipment (once used with chemicals) Educational DVDs, Tapes and Books once opened Blister-packed items once opened Original manufacturer software once opened Please enclose a copy of your invoice with your return and tell us whether you would like the item to be replaced, exchanged, or refunded. Returns can take up to 5 days in-house from the date we receive it to process. When returning an item, please make sure you use a shipper which provides you with Insurance and a tracking number. Items returned without a tracking number might take much longer to be processed. Store Categories Albums & Storage Bags & Cases Batteries & Power Binoculars & Spotting Scopes Cameras & Lenses Computers & Accesories Film & Memory Cards Filters Flash & Lighting Pro Audio Production & Post Production Tripods Underwater Video Other items Newsletter Add my Store to your Favorites and receive my email newsletters about new items and special promotions! Sign up Home | View all listings | About Us | Feedback | Faq | Contact Us Copyright © 2017 DownTown Photo. All rights reserved.

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